Wall Street Journal – Blending materials has long been a sculptural practice, but this movement intentionally mixes styles and media from opposite ends of the technological spectrum. Catherine Telford Keogh’s “Cradlers” at Socrates raises steel and aluminum high into the air on poles, intersecting constructions that look like fragments from a spaceship’s hull with fossiliferous limestone blocks. We feel keenly aware of our place in the present, the vast history that preceded us, and the long future that lies ahead.
Read the full story.